摘要
中国美术理论与创作实践继承与弘扬了马克思主义文艺思想中的人民性,植根于中国传统美术中的平民性,得益于中国近现代美术革命中为人生而艺术的倡导。坚持以人民为中心,就是在美术理论与创作实践中,倡导与坚持人民是美术作品的创作者,人民是美术表现的主角,人民是美术服务的对象和评判者。当前美术的人民性得到复兴,但也存在一些挑战,在美术创作主体、创作方法、评价标准等方面人民性仍然存在弱化、虚化的现象。在新时代,要解决美术理论与创作实践中所面临的这些新情况新问题,必须深入贯彻习近平总书记关于文艺工作的重要论述。
The affinity to the people of art theory and creative practice of Chinese fine arts inherits and carries forward the affinity to the people of Marxist literary and artistic thought, rooted in the civilian nature of Chinese traditional art works, and benefited from the advocacy of art revolution for life in modern China. Its main contents are as follows: proposing that the people are the creators of fine arts, affirming that the people are the main objects represented and served by fine arts, and emphasizing that the people are its major commentators. Currently, the affinity to the people of the theory and practice of Chinese fine arts has revived, but it has also encountered challenges. For example, the affinity to the people of the creation subject, creation method and evaluation criteria are still weakened and virtualized. In the new era, in order to solve these new problems, we must thoroughly study and learn General Secretary Xi Jinping’s exposition on literature and art.
作者
王洪斌
WANG Hong-Bin(School of Arts,Hunan University of Science and Technology,Xiangtan 411201,China)
出处
《湖南科技大学学报（社会科学版）》
CSSCI
北大核心
2021年第4期149-155,共7页
Journal of Hunan University of Science and Technology(Social Science Edition)
基金
教育部高校思想政治理论课教师研究专项项目(20JDSZK019)。
关键词
马克思主义
美术理论
创作实践
人民性
Marxism
art theory
creative practice
the affinity to the people
