摘要
文物建筑蕴含了丰富的价值,也是历史记忆的载体和文化发展的衔接者。随着遗产保护学内容的发展,遗产保护的理念和手法也在相应地更新。展陈设计属于"博物馆学"范畴,文物建筑利用则属于"文化遗产学"的范畴,二者的错位和"身心分离"成为当下一种普遍的现象。在2017年11月6日由国家文物局颁布的《文物建筑开放导则(试行)》中,对文物建筑展陈这种开放方式进行了诠释。应该在有效保护文物建筑的前提下,充分了解和挖掘其内涵,在协同合作的基础上进行合理的展陈利用设计。
Cultural heritage buildings contain rich values and are also carriers of historical memory and connectors of cultural development.With the development of heritage conservation,the concept and methods of heritage conservation are being updated accordingly.Exhibition design originates from"museology",while the utilization of cultural relics belongs to the category of"cultural heritage".The dislocation of the two and the"separation of mind and body"has become a common phenomenon.On November 6,2017,the state administration of cultural heritage issued the guidelines for the opening of cultural relics and buildings(trial),which explained the opening of cultural relics and buildings.Under the premise of effective protection,the cultural relic buildings should be fully understood and excavated,and the exhibition and utilization design should be carried out on the basis of cooperation.
作者
杨建斌
付思文
Yang Jianbin;Fu Siwen(Sichuan Yuanye Historical Architecture&Gardens Design Inst让ute,Chengdu Sichuan 610000,China;Sichuan Academy of Environmental Policy and Planning,Chengdu Sichuan 610000,China)
出处
《城市建筑》
2020年第20期77-79,共3页
Urbanism and Architecture
