摘要
中唐兴起的长沙窑是一处以民间贸易为目的、以釉上彩"胡风"装饰为特色的外销瓷窑场。这种独特窑业文化的成因是多元的,与其说是泛海而来的胡商活动的结果,不如说是六朝以来长江中游地区的社会变迁所致。本文讨论了长沙窑窑业文化中的北方因素,强调中古移民浪潮中的胡人群体对长江中游社会生态的影响,认为长沙窑是在六朝以来逐渐形成的胡商文化、移民文化社会环境中应运而生的。
The Changsha kiln came out in the middle Tang dynasty(mid-8 th century) as a maker of the over-glazed Hu-styled ceramic wares for people-to-people trade overseas. It was the social changes along the middle Changjiang River that started from the six dynasties more than the Hu people trading activities that gave birth to such a unique Kiln-culture. The analysis focuses on the effects upon the Changsha kiln culture from the northern, especially the influence of the Hu people on the social ecology following their migrating to the middle reaches of the Changjiang River during the medieval times, reaching the conclusion that the Changsha ceramics was born in response to the social condition of the Hu merchant culture and migration culture that was gradually formed since the six dynasties.
出处
《故宫博物院院刊》
CSSCI
北大核心
2020年第5期4-14,108,共12页
Palace Museum Journal
关键词
长沙窑
胡风
北人南下
窑业文化
the Changsha kiln/ware
the Hu-style
immigrating to the south from the north
kiln culture
