摘要
宋代宫廷画家苏汉臣的《重午戏婴图》,清代乾隆皇帝曾对其予以击赏,并揭示出此图以二十五人应"重午"节气的寓意。整幅绘画以荷花池、池边绿茵石树和水榭歌台为背景,其下半部分绘二十人在池边绿茵场游戏;上半部分为五小儿在歌台上进行杂剧扮演,应即宋代教坊中的"小儿班"杂剧。儿童扮戏在我国源远流长,而宋代水榭歌台作为杂剧的演出场所却为首次发现。宋代文献中的"射厅"使用了"榭"的原始意义——习射场所,同时"射厅"也是观剧演剧场所。从文图对照、图图对照进行探究,可知此图具有珍贵的史料价值。
"The Children Playing in the Dragon Boat Festival"by SU Han-chen, the court painter in the Song Dynasty was once rewarded by Emperor Qianlong in the Qing Dynasty, who revealed the meaning of"Dragon Boat Festival"with 25 people. The whole painting is set in lotus pond, poolside green stone trees and water pavilion. The lower part 20 people are playing in the poolside green field, while the upper part 5 children on the song stage are playing acrobatics, that is"children’s class"acrobatics from teaching workshop in the Song dynasty. Children’s opera has a long history in China, and it was the first time water pavilion in the Song dynasty was used as a performance place for vaudeville. In Song dynasty literature, the word"shooting hall"uses the original meaning of"pavilion", that is a place for practicing shooting, while it is also used as a place for performing and watching plays. Exploration of this picture from textual and diagrammatic comparison shows that it has precious historical value.
出处
《求是学刊》
CSSCI
北大核心
2020年第5期131-143,共13页
Seeking Truth
关键词
苏汉臣
《重午戏婴图》
水榭歌台
小儿班
宋杂剧
射厅
SU Han-chen
"The Children Playing in the Dragon Boat Festival"
waterside pavilion and play stages
children’s class
dramas in the Song Dynasty
shooting hall
