摘要
草原书写是海子诗歌中重要的组成部分,然而在长期研究中,它处在被遮蔽或被弱化的状态。同时,对海子命运过度解读和关注,使得他的乡村书写被神化。重读、细读其文本,可发现草原是海子重要的精神源。草原书写的驳杂与多义,更多的符号解释项功能,更能代表海子诗歌美学的成就。以皮尔斯的符号三分法为视角进行研究,可以发现海子的草原书写一方面承载了大量的荷尔德林式元素,也寄托着但丁、歌德式的史诗命题。正视草原书写的价值,就是正视海子的多样性。
Grassland writing is an important theme of Haizi’s poems. However,grassland in Haizi’s poems has been neglected for a long time. Country writing has been deified due to excessive interpretation of and attention to Haizi’s fate. It is found that grassland is an important spiritual source of Haizi’s poems based upon closing reading Haizi’s poems. Heterogeneity and polysemy,semantic interpretation items manifested in the grassland writing in Haizi’s poems are more representative of the aesthetic achievement of Haizi’s poetry. From the perspective of Pierce’s symbolic trisection,it is found that,Haizi’s grassland writing contains a large number of Holderlin-style elements,as well as Dante and Goethe-style epic propositions. The value of grassland writing means the diversity of Haizi’s poetics.
作者
鄢冬
YAN Dong(School of Literature and Journalism,Inner Mongolia University,Hohhot 010070)
出处
《贺州学院学报》
2020年第1期114-119,共6页
Journal of Hezhou University
基金
内蒙古社科规划青年项目"空间理论与文化记忆视域下的内蒙古新诗文化审美研究(1917-2017)"(2017NDC136)。
关键词
草原书写
解释项
荷尔德林式元素
史诗
grassland writing
interpretation items
Holderlin elements
Epic
