摘要
海子及其诗歌是中国当代诗歌史上特殊的文化存在。本文尝试着从存在的表象/幻象、丰盈的想象/幻想、诗意言说方式、神性体验和神性光辉四个方面对海子的抒情短诗进行解读,并探讨和说明海子及其诗歌在诗学理念和美学实践上与梵高、海德格尔、荷尔德林等人的精神渊源关系。有所发明的是把海子诗歌的幻象体系与海德格尔的天地人神四重世界整体相联系,以及在分析归纳后提出了海子诗歌独特的“诗意言说方式”。
Haizi and his poems are both special cultural being in history of Chinese contemporary poetry. The article attempts to analyse his short emotional poems in four aspects ： phantasm of being, ample illusion, the mode of poetic speech and divine experience, and it also proves that Haizi carries on the spirit of Van Gogh, Heidegger and Helderlin in his poetic idea and aesthetic practice. The most important is that the author finds out the phantasm system and of Haizi＇ s poems relates to the world idea of heaven, earth, God and human being in Heidegger＇ s philosophy, mentions concept of mode of poetic speech that exists uniquely in Haizi＇ s poems.
出处
《泰山学院学报》
2006年第5期64-68,共5页
Journal of Taishan University
关键词
海子
抒情短诗
幻象
诗意言说方式
海德格尔
Haizi
short emotional poems
phantasm
the mode of poetic speech
Heidegger
