摘要
中国电影工业美学在新时代语境中应运而生并快步发展,引起多方的关注与争鸣,成为当下电影研究场域中的前沿理论学说。中国电影工业美学的理论特色主要表现为理论建构过程的特色与现有理论体系的内涵特色。它的建构过程已经形成了从"出场起步"到"论争完善"再到"体系初成"的三个阶段。它的"基本原则"体现出"工业"与"美学"从对立走向互补的"整合统一论"思想,是在电影本体论意义上对电影本质属性的充分发掘与当下革新。中国电影工业美学的批评实践,既有对科幻电影、"开心麻花"系列喜剧电影的整体观照评析;也有对某个现象级电影的新锐时评。这些批评文本从"制片人中心制"的完善、"想象力"工业的理论建构、中国特色话语的彰显等方面,为中国电影工业美学的发展提供了有益的启示。
The aesthetics of Chinese film industry emerged and developed rapidly in the context of the new era,which caused many concerns and disputes,and became the leading theory in the field of film research. The theoretical characteristics of Chinese film industry aesthetics are mainly manifested in the features of the theoretical construction process and the connotation of the existing theoretical system. The process of its construction has formed three stages from "starting from appearance" to "dispute perfection" and then to "initial system formation" . Its "basic principle" embodies the idea of "integration and unity" that "industry" and "Aesthetics" move from opposite to complementary. It is a full exploration and innovation of the essential attributes of films in the sense of Film Ontology. The critical practice of Chinese film industry aesthetics includes not only the overall observation and analysis of science fiction films and "Happy Mahua" series comedies,but also the new and cutting-edge reviews of some phenomenal films. These critical texts provide useful enlightenment for the development of Chinese film industry aesthetics from the aspects of the perfection of producer-centered system,the theoretical construction of imaginative industry,and the presentation of Chinese characteristic discourse.
出处
《浙江传媒学院学报》
2019年第5期62-68,125,126,共9页
Journal of Zhejiang University of Media & Communications
