摘要
名词铺排是一种独特的语言现象,它表面上是句法问题,实质上则是修辞问题。汉语中的名词铺排现象最早见于《诗经》,是先秦诗人非自觉的一种修辞创造。但因有独特的审美价值,汉代诗人从中受到启发,于是开始有意识地摹仿与追捧。后来赋家、词人、小说家乃至散文家都在创作中有意识地进行名词铺排文本的建构。词的创作始于唐代,唐词、五代词、两宋词中不仅有大量名词铺排文本的建构,而且结构形式不断创新。明、清时代虽非词的创作上升期,但其创作仍然非常活跃,在名词铺排结构模式的创造方面也颇具建树,有不少新的结构模式创出。其中,以鼎足对形式呈现的名词铺排文本出现频率相当高。这一方面是受元代以来文学创作中崇尚多元混同的审美观的影响,另一方面也与时代潮流有关。
As a unique language phenomenon,noun arrangement is concerned with syntax superficially,but rhetoric fundamentally.It first appeared in the Book of Songs,and is an unconscious rhetoric creation of the pre-Qin poets(before 221 B.C.).Inspired by its unique aesthetic value,poets in the Han dynasties(202 B.C.–220 A.D.)consciously tried to imitate and pursue it in their creation,followed by the later writers of fu,ci,fiction and prose.The creation of ci dates from the Tang Dynasty(618―907),when a large amount of text constructions of noun arrangement appeared in ci of the Tang,the five and northern and southern dynasties with the continual innovation in the form.Though the creation of ci in the Ming and Qing dynasties(1368―1912)was not on the rising stage,the creation was still quite active,and made some achievements in the creation of the structural pattern of noun arrangement,with the emergence of some new structural patterns,in which the tripod-form noun arrangement appeared quite frequently.It is attributed to the influence of aesthetic of the plural blending popular in the literary creation since the Yuan Dynasty(1271―1368)on the one hand and the trend of the times on the other.
作者
吴礼权
WU Liquan(Institute of Chinese Language and Literature,Fudan University,Shanghai 200433)
出处
《楚雄师范学院学报》
2019年第5期105-118,共14页
Journal of Chuxiong Normal University
基金
上海高校高峰高原学科建设经费支持，系《汉语名词铺排史》之部分
关键词
名词铺排
明清词
文本
结构形式
审美
noun arrangement
ci of the Ming and Qing dynasties
text
structural form
aesthetic
