摘要
名词铺排是汉语所独有的一种修辞现象,《诗经》中便已发凡创例。因其有着独特的造景呈象、拓展意境的审美效果,遂成为中国历代文学创作者特别是诗词作家的最爱。明清时代的诗词作家也不例外,他们也热衷于在诗词创作中建构名词铺排文本。不过,他们的名词铺排文本建构在审美追求上跟前代有所差异。诗歌的名词铺排文本建构有着鲜明的尚偶审美倾向,而词的名词铺排文本建构则表现出打破对称平衡而追求自由灵动的效果。
Noun arrangement is a unique rhetoric phenomenon in the Chinese language,which was even created and introduced in Book of Poetry.Because of its special aesthetic effects of image-forming,sight-presenting,and artistic conception broadening,it became the favorite of the literary creators of the previous dynasties,especially the poetry and ci writers,and the writers in the Ming and Qing dynasties were no exception,who were also keen on constructing the text of noun arrangement in their poetic and ci creation,but with some differences from their predecessors in the aesthetic quest.The text construction of poetry had a conspicuous tendency for antithesis,but that of ci tended to break the symmetry and balance and pursue the freedom and flexibility of expression.
作者
吴礼权
Wu Liquan(Institute of Chinese Language and Literature,Fudan University,Shanghai 200433,China)
出处
《辽宁师范大学学报（社会科学版）》
2019年第1期96-103,共8页
Journal of Liaoning Normal University(Social Science Edition)
基金
上海高校高峰高原学科建设经费支持项目"汉语名词铺排史"
关键词
名词铺排
明清诗词
文本建构
审美
noun arrangement
poetry and ci in Ming and Qing dynasties
text construction
aesthetics
