摘要
2006年,土著作家亚历克西斯·赖特凭借《卡彭塔利亚湾》荣膺澳大利亚最高文学奖迈尔斯·富兰克林奖。小说发生在澳大利亚昆士兰州北部卡彭塔利亚湾的一个小镇,讲述了黑白种族之间、土著部落之间、代与代之间以及土著个体与自我之间的一系列冲突故事。在这部作品中,赖特采用了神话、反种族主义和创伤的书写策略,从根源上质疑澳大利亚白人的历史叙事,揭示出长久以来被美化的澳大利亚殖民史,再现了澳大利亚原住民挥之不去的梦魇。本文采用新历史主义和后殖民主义理论,分析该小说的书写策略及其隐含的权力话语。
As an indigenous Australian writer,Alexis Wright won Miles Franklin Award in 2006 with her second book Carpentaria.Setting at a small town on the Gulf of Carpentaria in northwest Queensland,the novel tells a story of interconnected conflicts between races,indigenous clans,inter-generations as well as the indigenous individual and the self.In this novel,Wright adopts the writing strategies of myth,anti-racist and trauma,which questions the grand historical narrative of the white Australians,reveals the beautified colonial history of Australia,and represents the haunting nightmare of the indigenous Australian.Based on the theory of new historicism and post-colonialism,this paper aims to analyze the writing strategies and its implied discourse in Carpentaria.
出处
《复旦外国语言文学论丛》
2019年第1期82-87,共6页
Fudan Forum on Foreign Languages and Literature
基金
国家社科基金重大项目“多元文化视野下的大洋洲文学研究”(16ZDA200)
教育部人文社会科学研究一般项目“雪莉·哈泽德的跨国写作及其世界主义思想研究”(18YJA752025)的阶段性成果
