摘要
将身体感的讨论置于灾后重建的语境中,关注在2008年汶川地震后整体搬迁的北川县城。地震和灾后重建给当地人的生活造成了时空上的断裂,试图以人的身体的多重感官作为切入点,通过对新北川县城羌族萨朗舞蹈活动的考察,讨论少数民族歌舞如何作用于身体感的塑造和地方感的生产。从而展示人们在地震之后的“新”生活中如何基于身体的视觉、听觉、动觉和触觉来适应灾难所造成的空间转换,以及伴随而生的自我认同危机,在这个过程中地方主体又如何在参与性的感受中将生活重新纳入轨道。
Combining the sense of body with the context of reconstruction after the disaster,the present study focused on the remove of the new Beichuan county after the Wenchuan earthquake in 2008.Because of the disruption on the time and space of the local people caused by the earthquake and reconstruction,the study tempted to investigate the activities of Salang dance of Qiang people in New Beichuan county based on the multi-senses of people’s bodies,and discuss the influence of songs and dances of minority people on the building of their bodies and the sense of the place.The result showed that how the local people adapted the change of the place based on the senses of sight,hearing,action and touch and the crisis of self-identification after the earthquake.Furthermore,how the local people adapted the new lives was also revealed in the present study.
作者
邱月
QIU Yue(School of Social and Behavioral Sciences,Nanjing University,Nanjing,Jiangsu,210093,China)
出处
《原生态民族文化学刊》
CSSCI
2019年第4期75-83,共9页
Journal of Ethnic Culture
基金
国家社科青年项目“汶川地震灾区文化重构与民族互嵌社区建构研究(2008—2018)”(18CMZ021)阶段成果
关键词
异地重建
多重感官
身体感
自我认同
reconstruction in other area
multi-senses
the sense of body
self-identification
