摘要
魏晋诸艺术门类理论中成熟的形态观念已然出现,门类间的艺术文献亦形成辉映、映照的呼应关系。书论、画论“势”之散论的内涵对《文心雕龙·定势》“体势”观念的形成起到了相当重要的影响,尤其是书论中书体风貌之势美的论述。文论中文体体制规约以及体制风貌规范观念的深化、普及对艺术门类“体”术语思维的形成和表达起到了相当重要的作用。书论、画论、乐论“势”之散论以“形势”“姿态”之意浸渗入文论。文论则以逻辑缜密的思辨认识将门类艺术形象之“势”加以体制、形制规约,形成“体势”说,“体”概念进而反射到诸艺术门类理论的写作表述中。
The concepts of form were mature in the arts theories in the Wei and Jin Dynasties and the literature of arts in different categories correspond to each other. The connotation of the essays on the "potential"of calligraphy and painting is crucial to the forming of the concept of "style potential"in Wenxin Diaolong Ding Shi,in particular the argument of the potential beauty of calligraphy in the theory of calligraphy. The regulation of literary form and the study and popularization of the style codes in the theory of literature are significant to the forming and expression of the terminological thoughts of"potential"in art category. The essays of the "potential"of the theories on calligraphy,painting and music penetrated into the theory of literature with "form potential"and "posture potential". The theory of literature then uses logic critical understanding to regulate the "potential"of the forms of categorical arts,establishing the theory of "style potential". The concept of "style"then is reflected in various writings of arts theories.
作者
徐慧极
Xu Huiji(University Nanjing,Jiangsu,210096)
出处
《民族艺术研究》
CSSCI
2019年第5期13-22,共10页
Ethnic Art Studies
关键词
魏晋
书画乐文论
形
体
势
the Wei and Jin Dynasties
theories on calligraphy
painting and literature
form
style
potential
