摘要
2019 年,中国科幻文艺及相关文化产业迅猛发展,以至于出现“中国科幻元年”之说。科幻景观与文化和媒介之间的联系和互动,越来越得到研究者关注。这里所说的科幻景观是指科幻文化所表现出的各种形态,并不仅限于科幻文艺作品。人们不仅需要关注科幻景观,还要关注这一景观背后的时代文化和媒介环境,正是媒介技术的发达为科幻作品提供了相对宏阔的展现空间。今天的科幻文化和上个世纪的科幻有所不同,互联网和人工智能崛起所带来的影响,极大地拓展了科幻领域的范围,并深刻地影响着整个社会文化的走向。因此科幻文化不仅是科学幻想的体现,也反映着社会现实的变化,成为当前迫切需要关注和思考的重要问题。为此,《探索与争鸣》编辑部和同济大学艺术与传媒学院、《文化研究》集刊、《媒介批评》丛书等联合主办“科幻景观·文化·媒介”学术论坛。与会专家学者围绕媒介文化视野中的科幻景观、科幻文艺作品的发展历程及其与媒介技术进步的关系、科幻作品的文化背景等主题,各抒己见、激烈交锋。
China’s sci-fi(science fiction) literature art and related cultural industries developed rapidly in 2019, so that the theory of "the first year of Chinese sci-fi" appeared. The relationship and interaction between sci-fi landscape and media has attracted more and more researchers’ attention. The sci-fi landscape here refers to the various forms of sci-fi culture, and is not limited to sci-fi literary works. Scifi culture is not only the embodiment of science fantasy, but also a part of social reality. It has become an important issue that needs urgent attention and consideration. To this end, we held an academic forum on Sci-Fi Landscape, Culture and Media. Experts and scholars at the meeting expressed their opinions and confronted fiercely around the themes of sci-fi landscape in the perspective of media culture, the relationship between the development of science fiction works and the progress of media technology, scifi in animation and games, and the cultural background of sci-fi works. Yan Feng pointed out that sci-fi is a new form of landscape group activities, including a variety of strange landscapes. Jiang Yuanlun put forward the judgment that "there is no medium but science fiction". Sun Wei pointed out that the new communication technology has created a new subject with split self and multiple ways of presence. At the same time, along with the division of time and space, scifi movies and television focus on the complex and changeable issue. Ju Wei believes that the "non-human" image often appears in sci-fi movies, which uses post-human landscape to criticize "anthropocentrism". Zhang Xian believes that sci-fi is a predictive exploration of the relationship between science and technology and human beings. Zhu Jun pointed out that modern sci-fi absorbed the concept of "Qi" in traditional Chinese philosophy. Li Chunlei pointed out that sci-fi landscape has sufficient extensibility to the construction of time and space, and reflects the public’s "breakthrough feeling" of reality. Zeng Yiguo pointed ou
作者
严锋
蒋原伦
孙玮
鞠薇
张跣
朱军
李春雷
曾一果
徐翔
Yan Feng;Jiang Yuanlun;Sun Wei;Ju Wei;Zhang Xian;Zhu Jun;Li Chunlei;Zeng Yiguo;Xu Xiang
出处
《探索与争鸣》
CSSCI
北大核心
2019年第8期37-66,197,共31页
Exploration and Free Views
基金
教育部人文社会科学重点研究基地重大项目“媒介哲学:新技术、城市化背景下的中国传播理论与范式创新研究”(18JJD860001)阶段性成果,教育部人文社会科学青年基金项目“英国电影的民族性及其对我国电影的借鉴意义”(18YJC760033)阶段性成果
复旦大学新闻学院一流学科项目经费支持
国家社科基金后期资助“晚清文学儒家乌托邦叙事研究”(18FZW064),国家社科基金课题“社会底层青年群体心理极化的传媒干预研究”(16BXW002)阶段性成果
上海市哲学社会科学一般课题(2017BWY001)
上海师范大学中国语言文学创新团队、上海师范大学都市文化研究中心成果
国家社会科学基金重大项目“视觉修辞的理论、方法与应用研究”(17ZDA290)项目成果
国家自然科学基金项目(71804126)
同济大学中央高校基本科研业务费资助项目(22120180186)阶段性成果
