摘要
近代西方体制、概念、知识在20世纪中的进一步舶来使中国的社会情境从以往的"帝国""家族"向"民族国家""国民同胞"转变,不同性质的革命实践也导致了国家形态、边疆领土、边地少数族群的意义被重新界定。本文根据摄影师庄学本在20世纪30年代至60年代所拍摄的系列边疆摄影作品,讨论其摄影经验如何反映中国国家近代化的历史延续与转折,并考察国家转型过程中不断变化的价值取向又如何导致其摄影发生范式转换。此项研究有助于解析中国社会史、政治史以及视觉文化之间的复杂关系,为理解20世纪中国的变迁提供新的视角。
The introduction of modern Western systems,concepts and knowledge in the 20 th century has changed China from an"empire"to a"nation-state"and the Chinese people from"family members"to"national compatriots".Meanwhile,revolutions of various types have largely redefined the state,its border territories,and the ethnic minority groups.This article looks at the frontier picture series taken by the photographer Zhuang Xueben from 1930 s to 1960 s and discusses how his work reflects the historical continuity and transition in the process of China’s modernization and how the changing values of the country have led to a paradigm shift in his photography.It is hoped that this article will provide some insights into the complex relationship between Chinese social history,political history and visual culture,thereby creating a new perspective for understanding the changes in China in the 20 th century.
作者
李潇雨
Li Xiaoyu(School of Humanities and Social Science,The Chinese University of Hong Kong,Shenzhen)
出处
《开放时代》
CSSCI
北大核心
2021年第1期206-223,9,共19页
Open Times
关键词
庄学本
国家转型
摄影
边疆
民族
Zhuang Xueben
national transformation
photography
frontier
ethnic minorities
