摘要
九一八事变始,中国进入长达14年的抗战时期,抗御外侮、救亡图存成为民国以来最大的现代性追求。民国人文地理摄影也在此风雨仓皇之际迅速崛起,庄学本、孙明经通过西部边地人文地理图像,以丰满的边地民族人物形象、丰沛的地理山川物质景观和西部人民坚韧的生存、信仰图景,传达了培育新民族、新国民的国族构想,在救亡话语下,建构起了"国破山河在"的民族主义视觉想象。从媒介史角度,以庄学本、孙明经的人文地理摄影为例,剖析抗战时期摄影图像与救亡话语的动态关系,分析图像文本与民族主义互构,梳理中国视觉民族主义之缘起和流变,是一个值得关注的学术视角。
Since the Mukden Incident,China has entered a 14-year-long period of resistance war when resistance against foreign invasion and salvation have become the greatest pursuit of modernity in the Republic of China.The humanistic geography photography of the Republic of China also rose rapidly during this stormy period.Zhuang Xueben and Sun Mingjing,as important representative photographers,conveyed the national goal of cultivating a new nation and a new nationality with their rich images of ethnic people in the borderlands,abundant geographical landscape,and the resilient survival and faith of the people in western China.In the salvation discourse,they constructed a nationalist visual imagination of"on war-torn land streams flow and mountains stand".From the perspective of media history,this paper,taking Zhuang Xueben and Sun Mingjing’s work as example,analyzes the dynamic relationship between photographic images and the discourse of salvation during the war period.It is a noteworthy academic perspective to analyze the interbuilding of images and nationalism,and to sort out the origins and changes of Chinese visual nationalism.
出处
《未来传播》
CSSCI
2021年第1期10-16,120,共8页
Future Communication
基金
浙江省哲学社会科学规划课题“20世纪前半叶浙籍摄影家研究”(21NDJC115YB)。
