摘要
在新近执导与拍摄人类学纪录片《金翼山谷的冬至》的过程中,笔者经历了学术专著、歌谣、诗作、电影、戏剧、新媒体多元创作实践,以及展演与传播中的主客并置与多学科并置状态的研讨,形成了系列论文.本文仅就地方冬至歌谣与田野诗作的人类学解说,表达地方人民和人类学家田野相遇与长久互动的人类学诗学特征。
During the recent process of directing and filming the anthropological documentary ‘ The Winter Solstice in the Valley of the Golden Wing', we collected a series of academic papers based on multiple creative practices in the forms of scholarly monographs. ballads, poets, films, dramas, and new media, along with discussions on the juxtaposition of emic and etic as well as the combination of multiple disciplines in performance and circulation. The anthropological interpretation of local ballads on winter solstice and the filed poems enables us to convey to the reader the characteristics of anthropological poetics on the encounter between local people and anthropologists and their long-time mutual communication.
作者
庄孔韶
Zhuang Kongshao(School of Ethnology and Sociology, Yunnan University)
出处
《开放时代》
CSSCI
北大核心
2019年第2期211-223,11,共14页
Open Times
关键词
《金翼》
冬至歌谣
人类学诗学
主客并置
多学科并置
‘The Golden Wing'
ballads on Winter Solstice
anthropological poetics
juxtaposition of emic and etic
juxtaposition of multiple disciplines
