摘要
电影《疯狂动物城》体现了后现代主义创作特征,其中以互文性和混杂性最为显著。首先,通过对《乌托邦》《格列佛游记》和《动物农庄》等政治寓言的用典,作品体现了双重主题:无等级差异、零歧视理想乌托邦的构建;和谐的乌托邦表面下反乌托邦潜流的涌动。其次,通过对《伊索寓言》等经典动物寓言的戏仿,颠覆了传统寓言中对食肉动物和食草动物的脸谱化叙事。再者,电影中混杂使用了黑色幽默、拼贴、仿作和"戏中戏"等后现代叙事技巧,模糊了严肃与戏谑、高雅与通俗、经典与流行、现实与虚构的界限,为读者开拓了广阔的解读、想象和批判空间。
Postmodern features characterize the fihn Zootopia, among which intertextuality and hybridity are the most prominent. First, its allusion to political allegories like Utopia, Gulliver＇s Travels and Animal Farm presents two parallel themes： the ideal utopian society in which there is no hierarchy or discrimina- tion, and a society with dystopian undercun-ents beneath its harmonious appearance. Besides, its parody of the classic animal fables like Aesop＇s Fables subverts the stereotypes imposed on the carnivores and herbi- vores. In addition, its hybrid use of other postmodern narrative techniques including black humor, collage, pastiche, and ＂play-within-a-play＂ helps create a dynamic text which opens up new space for interpretation, imagination and criticism.
作者
陈彦华
CHEN Yanhua(School of Foreign Languages,Wuyi University,Jiangmen 529020,China)
出处
《广东外语外贸大学学报》
2018年第4期49-54,共6页
Journal of Guangdong University of Foreign Studies
