摘要
2010年以来的华语电影版图中,青春片所形成的银幕影响无法令人忽视,同时这批影片也呈现出了较为典型的类型电影特征。但是,如果将其作为一个完整的文化景观进行分析,可以发现青春片背后的叙事动力并非是具有普遍意义的青年文化动力,而是中国"80后"群体的现实焦虑与文化诉求。这不仅意味着近年来的青春片需要一个剥离出"青春电影"后独立的观察视角,而且意味着这一文化景观内的青春片恰恰是具有独特的时代特征,而只能向内繁衍却不可向外复制。随着2016年以来青春片的式微以及具有"青春终结"符号意义的文本出现,这种青春片的不可复制性特征也显得更为确凿。
The cultural influence of Chinese youth films since 2010 can not be ignored in many ways. In this period,Chinese youth films presented relatively typical features of genre film. However,if we observe it as a whole cultural landscape,then we can find the narrative power behind the youth film is not the universal power of youth culture,but refers in particular to the reality anxiety and cultural appeal of the generation born after the 1980 s in China. This discovery means Chinese youth films in recent years need an independent perspective to observe,but also means that this cultural landscape is created by the special characteristics of the times. Therefore,recent Chinese youth films cannot seem as a genre,and its cultural characters can＇t be duplicated.
作者
赵宜
ZHAO Yi(College of Humanities and Communication, Shanghai Normal University, Shanghai 200234, Chin)
出处
《重庆邮电大学学报（社会科学版）》
2018年第2期118-124,共7页
Journal of Chongqing University of Posts and Telecommunications(Social Science Edition)
基金
国家社会科学基金艺术学青年项目:当下华语电影中的青年文化景观研究(16CC150)
关键词
青春片
怀旧叙事
80后
青年文化
前喻社会
Youth films
nostalgia narration
generation after 80s
youth culture
pre-figurative
