摘要
受吴越文化与西方文化的共同影响,在东方文明与西方文明的相互交融中产生了独具特色的海派文化。在中国当代电影中海派文化的阴柔性、开放性、包容性、通俗性、大众性贯穿其间。女性叙述对象、个体化叙述视角、怀旧审美心理等是海派文化的阴柔性在中国当代电影中的体现;旗袍文化成为海派文化开放性、包容性在中国当代电影中体现的重要符号;此外,以张爱玲小说改编的电影很好地诠释了海派文化的通俗性、大众性。这一切形成了独具魅力的中国当代电影中的上海影像。
The characteristic Shanghai culture is affected by Wuyue culture and western culture has been gradually formed In the process of the mutual confluence of oriental civilization and western civilization. The Shanghai culture is always feminine, open, comprehansrva, popular end mass, which has run through the contemporary films of China. The femininity of Shanghai culture in the contemporary films of China is mainly manifested on the female narrative object, the individual narrativeparspective, the retrospective aesthetic psychology,etc. The Qipao culture becomes an important symbol of the representation of the openness and the comprehension of Shanghai culture in the contemporary firms ot China. Besides, the popularity is welt interpreted by the films adapted on ZHANG Ai-ling＇s novels. All of these above have formed the charming Shanghai image in the contemporary films of China.
出处
《艺术探索》
2008年第3期114-116,120,共4页
Arts Exploration
关键词
中国当代电影
上海影像
海派文化
contemporary film of China, Shanghai image, Shanghai culture
