摘要
本文以法国20世纪著名小说家、评论家、哲学家莫里斯·布朗肖为研究对象,分别从内涵、形成、影响及接受出发,对其文学思想进行初步探讨。布朗肖文学思想的核心在于他对"文学空间"的阐释,这个空间既是让写作成为可能的空间,也是让文学作为沉默得以显现的空间。通过对文学空间的阐释,布朗肖将写作行动变成了一种全新的思想范式。布朗肖对文学的思考受到海德格尔现象学思想及马拉美文学思想的双重影响,由此产生的力量悄然改变着20世纪下半叶法国思想的走向。
In this article, we will analyze the core of Maurice Blanchot＇s literary thought, as well as its formation, influence and reception. In his literary thought, Blanchot focuses mainly on the interpretation of the ＂literary space＂ which is both a space that makes possible the action of writing, and a space where literature presents itself as a silence. By interpreting the literary space, Blanchot has made the action of writing a new model of thought. His thinking is influenced on the one hand by the phenomenological thought of Heidegger, and on the other hand by the literary thought of Mallarme. The fusion of these two thoughts in Blanchot gave rise to a power which secretly directed the path of thought in the second half of the 20th century in France.
