摘要
鲍勃·迪伦获得诺贝尔文学奖,引起了极大争议。本文试图从现代美学关于艺术的四个重要论争的角度来讨论迪伦的艺术。首先,萨特、巴特关于艺术的介入和非介入之争,笔者认为,迪伦从民谣到摇滚的转变正是这种介入理论论争的体现。其次,艺术标准应该是美还是真,本文指出,迪伦强调艺术的真实性,但是其更偏重于艺术的审美感受。再次,法兰克福学派关于大众文化和精英艺术之争,本文认为,迪伦的作品在一定程度上结合了大众性和创新性。最后,迪伦的艺术还体现了当代艺术从独立走向综合的倾向。
It has caused fierce controversy that Bob Dylan won the Noble Prize in Literature. This article attempts to discuss Dylan＇s art from the perspective of four important debates on art in modem aesthetics. Firstly, as for the debate about commitment and noncommitment between Sartre and Barthes, the author suggests that Dylan＇s turn from folk song to rock and roll is an important case of this debate. Secondly, as for truth or beauty as art＇s standard, the author claims that Dylan emphasizes truth of art and prefers aesthetic feeling of art, Thirdly, as for the dispute of mass culture and elite art in Frankfort School, the author thinks that Dylan combines popularity and innovativeness to some degree. Finally, Dylan＇s art also reflects the tendency of kinds of arts from independence to synthesis.
出处
《外国文学》
CSSCI
北大核心
2017年第5期69-79,共11页
Foreign Literature
基金
国家社科基金一般项目"阿多诺哲学中的语言思想研究"(16BZX118)
