摘要
作为现代社会的主流表征范式,"图像转向"营造的视觉图式以一种颠覆性的姿态冲击乃至重构着现代公共文化空间的既定结构。图像主导的视觉范式不仅强化了空间主体的身体指涉与视看行为的现代内涵,也颠覆了主体传统意义上的认知范式与审美体验,同时对公共文化空间表意图谱的交互性构建、图像表意的消费化延展以及日常生活审美的加速深入与时尚布局的时代建构都产生深刻的影响,而由此形成的公共文化空间结构的视觉化嬗变也引发更多的审美思考。
The visual schema built by iconographical turn. as the mainstream representation paradigm of modern society, shakes and even reconstructs the established structure of modern public cultural space with a subversive attitude. The visual paradigm dominated by images not only strengthens the body-reference of space and the modern connotation of visual behavior , but also subverts the traditional sense of cognitive paradigm and aesthetic experience of space. Meanwhile, it also profoundly impacts the interactive construction of the ideographic pattern of the public cultural space, the consumptional extension of image ideograms , the rapid development of daily life aesthetic and the epoch construction of fashion layout. The visual evolution of the public cultural space structure, as a resuh, leads to more aesthetic thinking.
出处
《河南师范大学学报（哲学社会科学版）》
CSSCI
北大核心
2016年第6期176-182,共7页
Journal of Henan Normal University(Philosophy and Social Sciences)
基金
中国博士后基金面上项目(2015M571472)
安徽省高校优秀青年人才支持计划重点项目(gxyqZD2016030)
关键词
文化空间
视觉图像
视觉图式
重构
Cultural Space
Visual image
Visual schema
Reconstruction
