摘要
石黑一雄的小说《浮世画家》由画家小野进行第一人称叙述,以其二女儿婚事为线索,引出主人公作为军国主义扩张工具的经历。小说聚焦"尊严",刻画小野从逃避到面对自身过错的突破。作品显性情节背后隐藏叙事暗流,透露出小野的"尊严"实是盲目的虚荣,而虚荣心理又不断掩饰着自己的困境。作品在显性情节与隐性叙事上构成双重反讽,深入挖掘有利于颠覆人物单一表象,对文本作出更全面的解读。
An Artist of the Floating World completed by Kazuo Ishiguro is written in the first narration by the narrator, Ono, whose second daughter, Noriko, is preparing for her Miai. Serving as the main thread, the marriage preparation gradually discloses Ono＇s past acting as an Imperialist in World War Ⅱ. Focused on ＂dignity＂, the text describes Ono＇s progress from shirking the past to dealing bravely with the fault. Aimed at digging the subtext and the covert progression, combining the overt plot and undercurrent running, this paper points out that so-called ＂dignity＂ is, in fact, a sort of blind vanity, of which the other side is ＂alienation＂. Laying emphasis on interpreting the double irony, this paper overturns the flat interpretation of the character, and draws out a fuller understanding of the text.
出处
《广东外语外贸大学学报》
2016年第5期61-67,共7页
Journal of Guangdong University of Foreign Studies
基金
北京高等学校"青年英才计划"项目"石黑一雄作品中的生命意识--以东西方文化为参照"(29201451)
关键词
石黑一雄
《浮世画家》
叙事暗流
双重叙事
异化
反讽
Kazuo Ishiguro
An Arstist of the Floating World
covert progression
dual narrative movement
alienation
irony
