摘要
司马迁的《项羽本纪》最早记载了项羽的英雄事迹。之后,项羽形象分别出现在历史叙事、文学叙事及影像叙事中。当代影视作品对项羽形象的塑造,褪去神话色彩,还原其人性,在多维关系中凸显其侠骨柔情,在多重矛盾中塑造其复杂性格。影视导演抛却了"成王败寇"的功利主义价值观,在宏大叙事中彰显个人情怀,注重对作为生命个体的英雄人物的人文关怀,在满足公众审美期待的同时又丰富了公众的视野。
The earliest heroic deeds of Xiang Yu narrated is Historical Records by Sima Qian. Later on,the image of Xiang Yu has appears in historical narration,literary narration and film and TV narration. In modern creation of Xiang Yu＇s image,the mythological colors have faded away and his personality as an ordinary person has returned. Moreover,his Chivalrous and tender features have stood out among the complicated relationships. And with the various contradictions his complex personalities have been presented to the audience. The directors have ignored the utilitarianism values about ＂Losers are always in the wrong＂,while they have given the humanistic care for being an individual and hero with the great grand narration. Hence,the expectations of the public are met the demand of the satisfaction and further it enriches the prospection of the public.
出处
《渭南师范学院学报》
2016年第21期55-59,66,共6页
Journal of Weinan Normal University
基金
渭南师范学院人文社科类育苗项目:中国神话传说的影视改编研究(16SKYM21)
关键词
项羽
《史记》
影视形象
Xiang Yu
Historical Records
image in films and TV
