摘要
郭沫若与民族戏曲有着深厚渊源。他的历史剧创作一方面受到传统文化潜移默化的影响,另一方面又自觉借鉴戏曲艺术的表现形式,从而表现出鲜明的民族风格与民族气派。然而,戏曲艺术中的某些"遗形物"又在一定程度上消融了话剧的现代精神。
Guo Moruo had close relationship with national opera. On the one hand, his historical dramas were influenced by the traditional culture. On the other hand, his works consciously drew on the form of traditional opera art, thus showing a distinctive national style and charm. However, some of the ＂legacy＂ in the art of traditional Chinese opera, to a certain extent, has melted the modern spirit of the modern drama.
出处
《广东技术师范学院学报》
2016年第9期62-68,共7页
Journal of Guangdong Polytechnic Normal University
关键词
历史剧
戏曲
民族性
historical drama
traditional opera
nationality
