摘要
乐府研究有丰富的传统积累,在20世纪进入现代研究的状态,形成注重实证的学院派与注重价值判断的新文学史家派两种倾向。王运熙对汉魏六朝乐府的研究集中在20世纪40年代后期到50年代前期,主要继承学院的传统,同时较多吸收古代的乐府研究成果。其在吴声西曲的文体特点、产生地域、创作者身份以及汉魏乐府制度的研究方面,充分注重文献记载,在实证研究方面有所推进;同时对片面强调民间创作、否认贵族作用的倾向有所纠正;可以视为20世纪上半期学院派乐府研究的殿军人物。
There has been an abundance of traditional accumulation in the study of yuefu（乐府）. In the 20th century, studies on yuefu developed into a modern mode, forming two trends, of which one was academicism （学院派） that put emphasis on empirical research, while the other was the school of new literary historians （新文学史家派） who put emphasis on value judgment. In his study on yuefu in the late 1940＇ s and early 1950＇ s, Wang Yunxi （王运熙） mainly inherited from the tradition of academicis, whereashe absorbed a lot of results from the research of the ancient times. In his study on the stylistic feature, generation area, and author identity of Wuand West Songs （ 《吴声西曲》）, and also on the system of music administrative institution in the Han ＆ Wei Dynasties, Wang put great emphasis on the documentary records, thus making great progress in his empirical research. Meanwhile he made some rectificationsof the trend that put undue emphasis on folk literature and denied the creative work of the aristocratic scholars. Therefore, Wang should be regarded as the representative of academicism inthe study of Yuefu in the first half of the 20th century.
出处
《北京大学学报（哲学社会科学版）》
CSSCI
北大核心
2016年第1期93-99,共7页
Journal of Peking University(Philosophy and Social Sciences)
关键词
王运熙
乐府研究
学院派
新文学史家派
Wang Vunxi（王运熙）, study on Yuefu（乐府）, academicism, school of new literary historians
