摘要
作为Bel Canto声乐体系的萌芽期,西方中世纪时期的声乐艺术在宗教与世俗二元文化的作用下,呈现出前所未有的繁荣发展。宗教文化中的声乐现象以服务宗教仪式为宗旨,以格里高利圣咏为中心,围绕对圣咏的修饰和扩展,逐步体现着作品体裁、表演形式以及歌唱技术的全面复杂化趋势。而世俗文化中的声乐现象在充分展示世俗文化特征的同时,又无法避免地接受强大宗教文化的浸染。二者在对立与并存中共同推动着Bel Canto声乐艺术的系统化构建,为Bel Canto声乐体系的主体形成提供了充分的素材。
As the budding stage of Bel Canto vocal music system, vocal music art of the Middle Ages presented unprecedented prosperous development under the function of binary cultures-religious and secular. The purpose of vocal music in religious culture was to serve religious ceremonies, which was reached by centering on Gregorian chant and working on the modifying and expanding of the chant. And this process reflected the comprehensive complication trend in terms of musical form, performance form and singing technique. On the other hand, vocal music in secular culture couldn＇t avoid accepting the influence of the powerful religious culture while sufficiently showing the characteristics of secular culture. The two jointly amid opposition and coexistence, offered essencial materials and made sufficient preparation for the systematized construction of Bel Canto vocal music art.
出处
《理论与现代化》
CSSCI
2015年第1期94-99,共6页
Theory and Modernization
基金
上海市教育委员会和上海市教育发展基金"曙光计划"资助
项目编号:44800790
关键词
中世纪
宗教文化
世俗文化
声乐
Middle Ages
Religious culture
Secular culture
Vocal music
