摘要
14-15世纪盛行于欧洲的伪音,因多声部音乐的发展及人的审美心理需求而产生,对从教会调式到大小调调性体系的转变起了重要作用。本研究借鉴了心理学实验的方法,试图以今人之身心感受去印证、探究古人对伪音的体验,以验证关于伪音产生条件、原因及其功能的推论。并结合实验所得数据和音乐形态分析做了进一步探讨,提出伪音在历史上扮演的角色决定其具有过渡性和实验性,其音响效果对于调性听觉而言尚不完满。
Musica ficta which prevailed in the period of 14th and 15th centuries is a product of multi -voice music development and human psychological requirement and played a major role in the transition from church modes to system of major and minor modes. Utilizing methods of psychological experiments, this research attempts to investi- gate the musica ficta experienced by ancient people through the sense of today＇ s people in order to test the infer- ences about its originating conditions, causes and functions. Based on experimental results and analysis of musical conformation, this article further suggests that the historical role of musica ficta determined that it would be only provisional and experimental and its sound effect is not perfect for tonal hearing.
出处
《星海音乐学院学报》
CSSCI
2011年第1期6-13,共8页
Journal of Xinghai Conservatory of Music
关键词
伪音
教会调式
大小调调性体系
心理学实验
musica ficta
church modes
system of major and minor tonality
psychological experiments
