摘要
铜奔马是一件罕见的青铜雕塑,被确认为中国旅游标志。然而,关于奔马及其蹄下飞鸟的讨论,学术界尚存较大分歧,这件雕塑的命名也至今没有定论。结合摄影史资料和出土材料进行分析,指出铜奔马塑造了真实准确、四肢腾空的奔跑姿势,飞鸟起支撑马身和保持其平衡的作用,同时也以此显示奔马正处于四足腾空的状态。通过对东西方艺术中奔马形象的比较,初步探讨了这种姿势的来源及产生。
Tongbenma, a rare bronze horse sculpture, was designated as the emblem of China tourism in 1983. Nowa- days, researchers still have different opinions on the sculpture＇ s galloping horse and flying bird. No final conclusion has yet been reached on the name of the sculpture. With evidence from history of photography and unearthed relics, the authors try to prove that Tongbenma assume a real and accurate posture with all the hooves of the horse leaving the ground. The authors point out that the main functions of the bird are as follows ： firstly, sustaining the horse and keeping its balance, secondly, showing the state that neither of the horse＇ s hooves are connected with the ground. Based on the comparison of Eastern and Western art of depicting horses in motion, the authors also discuss the source and origin of the posture of Tongbenma.
出处
《科学技术哲学研究》
CSSCI
北大核心
2014年第6期81-86,共6页
Studies in Philosophy of Science and Technology
基金
贵州师范大学博士科研启动基金项目(编号社科博(2013)11)
关键词
铜奔马
马踏飞燕
中国旅游标志
麦布里奇
画像石
Tongbenma （ bronze galloping horse ）
Matafeiyan （ horse stepping on flying swallow）
emblem of China tourism
Eadweard Muybridge
relief stone
