摘要
须摩提女故事画在龟兹石窟壁画中是一个特殊的题材,绘于中心柱窟主室券顶的中脊位置,取代传统的"天相图"。画面着重描绘佛弟子们禅定神通的表现,这是在念佛思想的背景下产生,将念佛法身功德的内涵往神通开展,彰显如来不共于二乘的殊胜,属于整体念佛三昧中的法身观,而其出现的位置在券顶中脊,亦彰显原本天相图对佛陀法身的象征意涵。
The story picture of Sumati maid in the murals of Qiuci Grotto is a special subject, painted the median ridge of the arch roof of main chamber in central vault to substitute for traditional ＂Heaven Phase Diagram＂, with focus on Buddhist disciples in meditation. It is produced at the backdrop of praying to Buddha and the content of merits and virtues of Dharmakaya in recollection developed to magical power to highlight Buddha＇s unique power among Dharmakaya views of Samadhi of praying to Buddha as a whole, which is set in the meridian ridge of the arch roof to display the symbolic connotation of Buddha Dharmakaya in original heaven phase diagram.
出处
《新疆师范大学学报（哲学社会科学版）》
CSSCI
北大核心
2014年第5期58-65,共8页
Journal of Xinjiang Normal University(Philosophy and Social Sciences)
关键词
佛教文化
克孜尔石窟
须摩提女故事画
神通
念佛三昧
法身观
Buddhist Gulture
Kizil Grotto
Story Picture of Sumati Maid
Magical Power
Samadhi of Praying to Buddha
View of Dharmakaya
