摘要
田汉在戏剧创作中积极继承中国戏曲的艺术传统,他的话剧具有强烈而鲜明的民族风格和民族气派。田汉以幻想、梦幻的形式去表现现实,强调“情到真时事亦真”的传奇性等方法,那种“失望的悲哀、苦闷的惆怅”的情感色调,跟中国戏曲艺术的浪漫主义传统有关。无论是抒情性意境,还是叙事性意境的创造,田汉话剧在很大程度上也得益于王实甫、关汉聊剧作的启发。
Tian Han actively inherits the artistic tradition of Chinese operas, and his dramatic works are distinguished with the striking national style. He presents the reality by means of fantasy and illusion and employs the legendary means of 'when the emotion is true, the plot becomes true, too'. In his modern dramas, the tone of disappointed sorrow and depressed melancholy is related to the romantic tradition of the Chinese dramatic art. The lyrical conception and the creation of narrative conception in Tian Han's modern dramas greatly benefit from the enlightenment of Wang Shi-pu's and Guan Han-qing's operas.
出处
《广西师范大学学报（哲学社会科学版）》
2002年第2期59-64,共6页
Journal of Guangxi Normal University(Philosophy and Social Sciences Edition)
关键词
田汉
话剧
戏曲
Tian Han
modern drama
traditional Chinese operas
