摘要
冯友兰特别重视心的觉解功能 ,并依据心灵觉解的程度将人生区分为自然、功利、道德、天地四种境界 ,其天地境界有着深厚的审美意蕴。达到这一境界必须运用有别于逻辑分析的直觉方法 ,即冯友兰所说的讲形而上学时的“负的方法” ,而“近于道的诗”正是形而上学“负的方法”之一。所以 ,冯友兰新理学中的人生境界论与审美理论非常接近。这一理论显示出从思维方式上融合中西的学术努力 ,对于 2 0世纪中国文艺境界论有着一定的影响。
Feng Youlan lays a special emphasis on the consciousness of the mind,and , in line with this, he has differentiated the four categories of human life, viz. that of spontaneousness, that of utility, that of moral, and that of the divine, the last one abounding in profound aesthetic connotations. To attain it, an instinctive approach other than logical analysis is to be employed, that is what is called by Feng the metaphysical “negative approach'. And the “poetry similar to Tao' is just one of such approaches. Consequently, Feng's doctrine of the different categories of human life in his new study of the rituals is enormously similar with his aesthetic doctrines. This doctrine demonstrates that the efforts he has made in order to fuse Chinese and Occidental scholarships into a single whole, thus exerting certain impacts on the doctrine of categories in the twentieth century Chinese literature and arts.
出处
《孔子研究》
CSSCI
北大核心
2004年第5期19-27,126-127,共9页
Confucius Studies
关键词
觉解
人生境界
形而上学
负的方法
进于道的诗
Consciousness
Different Categories of Human Life
Metaphysics
the “Negative Approach'
