摘要
“诗必盛唐”是明代具有强势传播力的诗学观念 ,其消极影响是法唐而赝 ,自狭诗道。当时虽有接纳宋诗的呼唤 ,但难以形成趋势。明末清初 ,钱谦益以唐宋兼宗为新的诗学选择 ,具体途辙是以崇尚杜诗为由唐向宋的起点 ,在诗坛大力导入宋代诗风 ,融铸异质 ,求变创新。以沉潜深厚改变浮薄肤浅 ,以性情为本取代唯务格调 ,从而形成宏衍阔大的气局 ,使诗歌创作具有多元组合的美质。
It had been an extremely influential poetic concept in Ming Dynasty that writing poems should model after Tang's top achievements. The parochial idea had a negative effect on individuality. During the period of late Ming Dynasty and early Qing Dynasty, Qian Qianyi (1582-1664) initiated a new way to write poems by calling for inheriting the soul of both Tang and Song poetry. To create more variety and freshness, he introduced Song poetry style by advocating learning from Du Fu's poems. By altering superficiality by profundity and replacing patternism by naturalism, he endowed Qing poems with quite a big amount of multi\|aesthetic elements.
出处
《杭州师范学院学报（社会科学版）》
2001年第6期67-71,共5页
Journal of Hangzhou Teachers College(Humanities and Social Sciences)
关键词
钱谦益
清代
唐代
宋代
诗歌
艺术风格
杜甫
Qian Qianyi
Mixed Advocating of Tang & Song Poetry
Qing Poetry style innovation
