摘要
任半塘先生在《唐戏弄》等著作中的论述 ,使学术界重新面对了戏剧的本质 ,认识了戏剧形态的多样性 ,也反省了戏剧研究的资料品质。此后 ,中国戏剧研究发展的趋向应表现为 :从以文学为中心转入以表演为中心 ;从一元的进化研究到多元的形态比较 ;在新的视野中开辟资料库藏 ,实现文献学、考古学、民族学方法的结合。中国戏剧研究的百年历程表现为思想解放的过程 ,先后完成了对等级制社会尊卑观念的超越、对文人狭隘经验与趣味的超越。现在 ,超越学科方法的局限 ,使戏剧研究成为现代科学体系的组成部分 ,是新一代戏剧研究者的使命。
Ren Bantangs discussions in his works such as Tang Xi Nong brought the academic circle to reconsider the essence of drama, recognize the diversity of dramatic forms, and reflect on the quality of data for drama research. It was argued that the developing trend of Chinese drama studies would be demonstrated as follows: the shift of focus from literature to performance; the switch form monadic evolution research to multivariate form comparison; the exploration of resources and data within a new perspective in order to achieve the union of philology, archaeology and ethnography. The century long history of Chinese drama research is a process of emancipating the mind, in which the transcendence of the precedence ideology in the hierarchical society and that of the scholastic narrow experience and tastes were realized. For the moment, the overcoming of the limitations in the research field so that drama studies would become an integral part of modern science system is the mission on the part of the new generation drama researchers.
出处
《扬州大学学报（人文社会科学版）》
2001年第4期14-21,共8页
Journal of Yangzhou University(Humanities and Social Sciences Edition)
