摘要
“家乐”是明代戏曲演出史上一个重要的类型 ,在某种程度上显示出试验型的私家小剧场性质。虽然由于演员失去了人身自由 ,演出缺少生机勃勃的艺术独创精神。但由于“家乐”不再受着商业和公众效应的限制 ,主人和投身其中的剧作者能够从容地进行合乎自己心愿的创造 ,成为传奇折子戏和文人南杂剧产生和发展的适宜舞台 ,从而促进了明中叶后戏曲艺术的发展。
Home theatrical troupe is an important type in Ming Dynasty'Opera.It shows private theatre character in experiment to some extent Although performer lost freedom,The perform lacked of the created inspirit.Home theatrical troupe got rid of the limited of commercial and public effect,master and the opera'writer can engaged in creation which according to their idea.It become a suitable stage where Chuan Qi' drama and scholar south Zaju emerged and developed.As a result,it promoted the opera art's development after Ming Dynasty middle century.
出处
《戏剧(中央戏剧学院学报)》
CSSCI
北大核心
2002年第2期133-137,共5页
Drama:The Journal of the Central Academy of Drama
基金
东南大学科学基金资助课题<中国戏曲论稿>阶段性成果之一