摘要
戏仿作为一种叙事策略,在很久之前就出现于欧美的小说创作之中,但人们对戏仿的评价并不高,甚至认为它是一种很不严肃的低层次的表现手法。戏仿者在选择素材的时候,通常都会选择那些人们耳熟能详的经典作品进行延续或者戏谑性地再创作,《哈姆雷特》就是经常被现代主义和后现代主义作家进行超文戏仿的一部经典作品。本文针对戏仿作品的各个组成要素展开讨论,并结合《哈姆雷特》的现代戏仿作品进行深入探讨,希望能够在一定程度上推动这一类别作品的良性发展。
Parody as a narrative strategy has long appeared in European and American novel creations, but it is not highly thought of and even believed as a technique of very serious lower - performance. In choice of material, writers of parody usually choose those classics that are familiar to people to develop or jokingly recreate. Hamlet is just such a work that is often got ultra - text parody by modernist and post - modernist writers. Combining modem parodies of Hamlet, this paper makes an in - depth discussion of the various constituents of parody, hoping to promote the healthy development of this category of work.
出处
《学术探索》
CSSCI
2014年第4期105-109,共5页
Academic Exploration
