摘要
华裔美国作家水仙花以文学作品为武器匡扶正义,在其小说集《春香夫人》中重塑了华裔和女性的形象,对当时的种族主义和性别主义双重话语霸权进行了批判。她的批判带有鲜明的解构特点:通过消除二元对立和暴力破坏话语结构两个解构策略,颠覆了读者对于种族和性别认识的限制和偏见。
As a pioneer American Asian writer, Sui Sin Far justifies the images of Chinese Americans and females in Mrs. Fragrance and other stories, and criticizes the dual hegemonie discourses, namely the Euro-eentric racism and the male-eentrie sexism. A distinctive characteristic of her critique is the deeonstructive perspective. By eliminating the binary oppositions and wrecking discourse structure, she subverts readers＇assumptions about racist stereotypes and bias against gender roles.
出处
《金华职业技术学院学报》
2013年第5期76-80,共5页
Journal of Jinhua Polytechnic
