摘要
苏轼在文艺创作上追求达心、适意,主张文章自一家,然而晚年却对和陶这一违反作家创作个性的作诗方法情有独钟。这一看似矛盾的现象从苏辙对苏轼和陶诗的评价中便可得到合理的解释。文章围绕《子瞻和陶渊明诗集引》《亡兄子瞻端明墓志铭》《和子瞻归去来词并引》《栾城遗言》等文章,将苏辙之评价与苏轼之创作相互观照,相互印证,表明苏轼和陶之作其实暗合其创作个性与艺术主张,是在借他人酒杯浇自己块垒,是一种出新意于法度之中的创作行为。
Su Shi aspires exact expression of ideas and meanings, advocates that one＇s articles should have their own characteristics. But in his old age, he particularly likes Poems in Reply to Tao Yuanming which lack creative personality. The contradictions of attitude towards poems in that can also be shown in Su Shi＇s poems. This paper concerns with Reference of Zi Zhan and Tao Yuanming＇s Poems, Epitaph for Dead Brother Zi Zhan Duan Ming, Reference of Home Coming Poems with Zi Zhan, Loss Words of Luan Cheng, etc., and talks about the agreements of Su Zhe＇s comments and Su Shi＇s creations, so that we can make clear the reason that Su Shi＇ s poems are expressions of his mind. It＇ s an innovation of writing in rule.
出处
《乐山师范学院学报》
2013年第8期15-17,49,共4页
Journal of Leshan Normal University
关键词
苏辙
苏轼
和陶诗
Su Zhe
Su Shi
Poems in Reply to Tao Yuanming
