摘要
该文基于史料考据和实地调研,从文化地理与建筑史相结合的角度,对陕北近代的基督教文化传播空间分布、教堂的建筑特征及艺术特征进行研究。研究发现,陕北基督教在空间分布上,沿陕北的北部向陕北与内蒙古、山西的交界地区以及陕北的中南部地区演进扩散,教堂建筑表现出具有中西合璧的特性,艺术方面表现出基督教与其他艺术形式之间的融合,该文给出了陕北近代教堂在这三方面的统计数据、建筑实例及细部表现,为陕北近代建筑的保护和承续提供了资料。
Based on the research of historical documents and further field survey, the spatial distribution of Christian culture spreading and the feature of church architecture and art in Northern Shanxi were all investigated in this paper, from the view of combining the culture geography and history of architecture, we found that spatial distribution of Christian in Northern Shanxi is spread from the north of northern Shanxi to border region of inner Mongolia and Shanxi and to the central and southern regions of Northern Shanxi, and the characteristics of church architecture reflects combination of Chinese and the Western, the art of church architecture shows the appropriately merging between Christianity and other art forms. The statistical data, architecture example and its specific details are provided from three aspects of the modern church in Northern Shanxi, which can provide useful information for later protection and inheritance.
出处
《华中建筑》
2013年第5期164-168,共5页
Huazhong Architecture
基金
陕西省软科学基金资助项目(编号:2006KR115)
关键词
教堂
近代
陕北
Church, Modern, Northern Shanxi
