摘要
士的美学重视超越具体感官快适的精神愉悦,通往"心"、"气"等形而上的审美境界,同时也日益远离了社会底层民众的审美需要。对于缺乏话语权的平民生活世界来说,"心"、"气"这些形而上的审美境界太过遥远,解除人生在世处处受到的压迫和羁绊,就是至乐大美。颜钧以长生保命的肉身感受为出发点和根本点,通过闭关行功,强化身体的自由感受,获得身心一体的乐感,发展了平民主义美学。
The metaphysical aesthetic categories of ＂mind＂ and ＂air＂ stress the spiritual happiness surpassing the sensory perception, which overlooks the grassroots aesthetic demands. For those common people, it is the supreme happiness and beauty to get free from the physical oppression. The aesthetics of Yah Jun is based on the sensory feels of common people and aims to reach the unity of flesh and mind.
出处
《扬州大学学报（人文社会科学版）》
CSSCI
2013年第1期87-91,共5页
Journal of Yangzhou University(Humanities and Social Sciences Edition)
基金
江苏省教育厅高校哲学社会科学研究项目(2012SJD750012)
关键词
颜钧
平民
美学
身
Yan Jun
grassroots
aesthetics
flesh
