摘要
颜钧追求"孔仁颜乐"的人格审美理想,他构想了仁、真、乐三个人格审美境界,并以心、性、情作为人格审美境界的层次,其中,心与仁对应,性与真相联,情与乐同构。这三者之中,心起总摄作用,统领性情。"心"(仁)是本体,是人格美的发生处,"性"(真)是心的表现,是人格美的回归处,由心本体而来的"性情"、"情"(乐)是性的外显,也是人格美的生存形态。
Yan Jun takes Confucius and Yan Hui as his ideal character, so he conceives an ideal aesthetic realm which is composed of three levels, namely, humanity, nature and happiness. In terms of his aesthetic personality thought, that is, heart, natural character and passion in which heart is in line with humanity and dominates natural character and passion, natural character is related to nature, and passion is in accordance with happiness. While heart,namely,humanity is noumenon and produces ideal personality, natural character, nature is manifestation of heart and home of ideal personality, and passion comes from heart is manifestation of natural character and mode of existence.
出处
《南昌大学学报（人文社会科学版）》
CSSCI
北大核心
2010年第1期48-51,共4页
Journal of Nanchang University(Humanities and Social Sciences)
关键词
颜钧
审美人格
孔仁颜乐
心
性
情
Yan Jun
aesthetic personality
Confacius and Yan Hai
heart
natural character
passion
