摘要
苏童《河岸》中的人物、船、河流都可视为原型,并可从原型批评的角度加以剖析。一方面这些原型并不是孤立的,而是统摄在"放逐—救赎"的母题之下形成了一个原型系统;另一方面由于这些原型本身都具有多重的象征意义,甚至是相互冲突的,这使得该原型系统超出了原型通常意义上的同一性,而更多表现出了一种多样性。就此原型系统本身而言,其中的各个原型之间具有紧密的联系,对于其中某一个原型的解读和定位必须依赖于其他相关的原型,并要置放于该系统的整体之中进行考量。
In Su tong＇s The Boat to Redemption, the person,the boat and the river all could be regarded as prototype and analysed from the perspective of that. Firstly,these prototypes are not single and yet become a prototype system under the mother motif of ＂exile-- salvation＂. Secondly, the systems which have manifold symbol meanings conflict each other, making these prototype systems beyond the identity. It has compact association among these prototypes in this system and the explanation to each protptype has to rely on the others and get it into the context.
出处
《遵义师范学院学报》
2012年第6期48-52,共5页
Journal of Zunyi Normal University
关键词
《河岸》
原型系统
放逐-救赎
多样性
The Boat to Redemption
prototype system
＂exile--salvation＂ diversity
