摘要
女娲和姜媛神话的文学书写以魏晋南北朝"文学自觉时代"为界,分为前后两个时期,前期以宏大政治意识表达对圣王英雄的颂扬,保留着神话本有的神圣性特征;后期则流变为卑微文人意识中的消极退避与孤愤情怀,具有抒情性特征。女娲和姜媛神话后期的文学书写,代表了神话之抒情性意义建构的两种模式。
The literary writing to The Goddess and Jiang Yuan myth of Jiang Yuan was divided into two periods,In the literary rewriting,two images was formed：Goddess and a Stupid Stone. The later was adopted in A Dream of Red Mansions by Cao Xue-qin. These two images reveal two function of myth in culture. It advocates rational idea and great cause,in the other hand it protects human freedom and individual experience of life.
出处
《河北学刊》
CSSCI
北大核心
2010年第4期102-105,共4页
Hebei Academic Journal
关键词
女娲神话
顽石
感孕
移位
Goddess
stupid stone
be pregnant by touching something
displacement
