摘要
本文与中国文学批评史上只将“性灵说”的焦点放在钟嵘身上不同，认为“性灵说”在整个南朝已初具规模并渐成思潮。它继承了前代的“缘情说”，由于佛教心性学说的影响，促使南朝“性灵说”超越对世间常态情感的执着，而走向对心灵及精神世界的探索。南朝的山水传集中体现了这一理论的新发展，并开拓了以追求神韵灵趣为特征的新的诗歌美学境界。
Contrary to the view that credits 'the doctrine of king Ling' solely to Zhong Rong in the history of Chinese Literary criticism, the author of this paper believes that 'the doctrine of Xing Ling', took shape and got to be an ideological trend throughout the Southem Dynasty. having inherited the tradition of 'the doctrine of Yuan Qing' of past dynasties, 'the doctrine of Xin Ling' had, under the impact of the Buddhism doctrine of kin Xing, gone beyond the inflexible narration of normal worldly sentiment and turned to the exploration of the heart and the spiritual world. The landscape poems of the Southern Dynasty strongly reflecfed the fresh advancement of the theory and opened up the new aesthetic domain of poetry characterized by a pursuit of stylistic charm and appeal.
关键词
佛教心性学说
山水诗
文学研究
南朝
性灵说
Yuan Qing
Xing Ling
Buddhism doctrine of Xin-Xing
landscape poems
stylistic charm and appeal
