摘要
作为延安文艺座谈会与毛泽东《在延安文艺座谈会上的讲话》精神最早的实践成果,解放区秧歌剧与新秧歌运动第一次较为科学地实现了传承借鉴中西音乐、戏剧、舞蹈、诗歌等文艺形式和艺术技巧的统一,实现了深刻的历史政治语境与丰富多样的艺术形式的统一,实现了抗战时期的时代旋律与不屈不挠的民族精神的统一,开创了具有中国风格和民族气派的工农兵群众的革命文艺形态,也开启了解放区及新中国全民沸腾的群众性文艺运动的崭新时代。
As the earliest product of the spirit of Yan’an Culture and Art Symposium and Mao Zedong’s Speech in the Symposium,the yangko opera and the New Yangko Movement in the liberated areas for the first time realized the unification of Chinese and western art forms and art skills in music,opera,dance and poem,realized the unification of historical political context and enriched,diversified art forms,and realized the unification of the melody of the times and the national spirit of being unyielding.It created a new form of revolutionary art with Chinese style and ethnical trend for the worker-peasant-soldier mass people,and started a new era of popular art in the liberated areas and then in the whole new China.
出处
《中国井冈山干部学院学报》
2012年第3期69-73,共5页
Journal of China Executive Leadership Academy Jinggangshan
基金
重庆市社会科学规划课题项目"抗战大后方民歌民谣的历史价值研究"(项目编号:2010YBRW87)的阶段性研究成果
关键词
抗战歌谣
秧歌剧
新秧歌运动
anti-Japanese war songs
yangko opera
new Yangko movement
