摘要
"延安文艺座谈会"召开之后,解放区掀起了一场新秧歌运动。新秧歌呈现了一个全新的"民间",它的主体为工农兵,内容与主流话语一致。当时的权威话语期望新秧歌既能成为新文艺,同时又不脱离民间,但它的创作者追随意识形态话语,忽视了艺术性和文化内涵,使得它在历史上只是昙花一现,既没有对书面文学产生触动,也没有在民间文学领域留下痕迹。新秧歌运动的历史经验与教训在当今仍具有警示作用。
＂Forum on Literature and Art of Yan＇an ＂ has raised a new yangge movement in the liberated areas. New yangge has presented one brand-new ＂ folk ＂,its subject is the workers , peasants and soldiers, the content keeps the same with the major discourse. The authoritative words at that time expected new yangge to become new literature and art, while not break away from the people, but its creator followed the ideology words, ignored its artistry and culture connotations, made it just transient in history.
出处
《晋阳学刊》
北大核心
2007年第5期121-124,共4页
Academic Journal of Jinyang
关键词
新秧歌运动
“民间”
口头文学
书面文学
new yangge movement
＂ folk＂
oral literature
written literature
