摘要
从"感遇"的释义出发,从客体和由客体所激发的主观情怀两个层面,对陈子昂《感遇》诗38首的内容和艺术进行深入剖析。在这组诗歌中,诗歌意象往往直接沿用哲学概念,这些概念及其哲学旨归与《庄子》有着几乎一致的出处,显示了这组影响与争议巨大的诗歌与《庄子》之间的深刻的哲学关联。陈子昂在感知和感叹天道、世道这样巨大而不可抗拒的对象时,采用的是《庄子》"道观"的方式,从而使得个人及其托身的有限空间与巨大而无限的对象之间产生一种可能的联接,形成强烈的反差,使这组诗歌具有震撼人心的力量。《庄子》是诗意的哲学,《感遇》是哲学化的诗歌,采用哲学概念充当诗歌意象,其艺术感染力不是来自于文学意象的感性魅力,而是来自于对天道、人生和自我生命的哲学感喟。《庄子》和《感遇》,在许多地方呈现出相当的同质性。
To interpret ＂Poems of Reflection on the Vicissitudes of Life＂, this paper firstly classifies Chen Zi - ang＇ s 38 ＂Poems of Reflection＂ into two levels in the light of the object and the subjective feelings aroused by the object, and then makes an exploration into the content and artistic features of Chert Zi - ang＇ s ＂Poems＂. In these poems, the poetic images directly fol- low the philosophical concepts, and the philosophical orientations of these concepts have the same resources with Zhuangzi, which shows the philosophical correlation between these influential and controversial poems and Zhuangzi. Marveled by the huge and irresistible forces of ways of Heaven and ways of World, Chen Zi - ang resorted to Zhuang Zi＇ s view of Heaven and Tao and built a possible link between man and the space he exists and the infinite. As a result, a sharp contrast was formed, and the po- ems were credited with shocking powers. Zhuangzi is poetic philosophy, while ＂Poems of Reflection＂ is philosophical poems which take the philosophical concepts as poetic images, and their artistic appeal is not from the sensuous charm of literary ima- ges, but from the philosophical reflection on ways of Heaven, ways of World and self life. Zhuangzi and ＂Poems of Reflection＂ display much homogeneity in many aspects.
出处
《上海师范大学学报（哲学社会科学版）》
CSSCI
北大核心
2012年第3期73-82,共10页
Journal of Shanghai Normal University(Philosophy & Social Sciences Edition)
基金
上海市教育委员会科研创新项目(09ZS209)
关键词
庄子
陈子昂
感遇诗
诗化哲学
Zhuangzi, Chen Zi - ang, ＂Poems of Reflection on the Vicissitudes of Life＂, poetic philosophy
