摘要
包括文学在内的各种艺术作为人类精神创造物,一般可分为时间和空间艺术两种,这是由人类两种最根本的时间思维和空间思维方式所决定的。而作为中国古代诗学核心范畴的赋比兴,其不仅是中国古代诗歌的表现手法或技巧,也是诗歌创作的艺术思维,它们从根本上说都是一种空间思维的方式,这就决定了中国古代诗歌艺术是种空间的艺术。其中赋则是作为铺成、排比扩展的空间思维方式,由于仍需要线性的、分析的、思辩的、逻辑的时间思维参与和多少存在着时间思维的痕迹与影响,这也是古代重"比兴"而轻"赋"的缘故。
Arts as creations of the human spirits including literature can generally be divided into time art and space art,which are classified by the two most fundamental thinking modes,time thinking and space thinking.FuBiXing as a core category of ancient Chinese Poetics,it is not only the techniques and skills of expression of ancient Chinese poetry,but also the artistic thinking of poetry-writing.Fundamentally,they follow a spatial thinking mode,which defines ancient Chinese poetry to be a spatial art.However Fu is a space thinking way expanded by expatiation and parallelism,which still needs linear,analytical,speculating,logical thinking.And it is slightly influenced by time thinking.As a result,BiXing is used more frequently than Fu in ancient China.
出处
《中国文学研究》
CSSCI
北大核心
2012年第1期52-56,共5页
Research of Chinese Literature
基金
教育部人文社会科学规划基金项目“中国古代诗学的空间问题研究”阶段研究成果(11YJA751009)
关键词
赋
铺成排比
空间思维
Fu
elaborate and parallelism
space thinking
