摘要
《吕氏春秋》与《乐记》在音乐发生学、中和之美和音乐教化等方面存在诸多相同或相通之处。关于音乐发生学,二者都认为乐是由人心产生的,人的心里有所感受,就会在音乐中表现出来,音乐表现于外而能够化育于内;关于中和之美,《吕氏春秋》把"和"视为"乐之本",《乐记》则从天地之和阐释音乐之和的作用,二者都倡导音乐的中和之美;关于音乐的教化作用,《吕氏春秋》和《乐记》都认为乐的美以善为前提,都认为乐与政通,应该发挥音乐的教化作用。
This paper examines the views of music aesthetics in Lue＇ s Spring and Autumn Annals and Yueji, and identifies the similarities of the two books in musical embryology, the beauty of harmony as well as the educational function of music. In terms of musical embryology, the two books hold that music comes from people＇ s inner heart and expresses human feelings. Music depicts the outside world and cultivates human thought and emotions. In terms of music＇ s power to harmonize, Lue＇s Spring and Autumn Annalsregards ＂harmony＂ as the ＂soul of the music＂ while Yueji discusses music＇ s role in the context of the harmony between heaven and earth. Both books advocate harmony in music. In terms of educational function of music, the two books both argue that precondition of musical beauty is goodness. Moreover, both maintain that music is closely connected with politics and should be given full play in political education.
出处
《山东大学学报（哲学社会科学版）》
CSSCI
北大核心
2011年第6期121-125,共5页
Journal of Shandong University(Philosophy and Social Sciences)
关键词
《吕氏春秋》
《乐记》
音乐发生学
“中和之美”
音乐教化
Lue＇ s Spring and Autumn Annal
Yueji
musical embryology
the beauty of harmony
educational function of music
