摘要
先秦时期,我国音乐美学思想比较发达,孔子乐论被认为是先秦音乐美学的创始,荀子乐论是我国历史上第一篇音乐美学专论,《吕氏春秋》吸收并糅合了先秦各家乐论。文章旨在将三家对音乐的缘起、本质、作用的论述作比较,以期清理出先秦音乐美学思想渐进发展的过程。
Confucius is regarded as the founder of the music esthetics of the Pre-Qin period, Xunzi as the first man who made systematic studies of music and Lushi Chunqiu as an integrated study of music esthetics. This particle makes a comparison of the three schools.
出处
《宁波大学学报（人文科学版）》
2003年第3期29-32,共4页
Journal of Ningbo University：Liberal Arts Edition
关键词
乐论
发展
礼乐
和乐
views on music
development
courtesy music
harmonious music
